In the Adirondack Library Series

This biography of Seneca Ray Stoddard is the story of a remarkable American from upstate New York who emerged from humble beginnings during the post-Civil War era to become a renowned artist, author, photographer, explorer, surveyor, cartographer, traveler, inventor and Adirondack environmentalist over a six-decade career. In so doing, he had a profound impact on the New York landscape that endures to the present day.

Daniel Way, a native of Glens Falls, practiced Family Medicine in the Adirondack Park as a primary care physician for the Hudson Headwaters Heath Network for 38 years, retiring in 2018. He has published three books about his medical practice in addition to his most recent work on Seneca Ray Stoddard.

Discover the Black pioneers who shaped St. Lawrence County through grit and determination. From its origins as part of New France through the Civil War and eventual industrialization of the region, St. Lawrence County has been shaped by all too often overlooked Black families and individuals. Author Bryan S. Thompson reveals the history of the African American community in New York’s North Country.

Bryan Thompson is a lifelong resident of St. Lawrence County. He holds a BS from Cornell University and an MS from SUNY Geneseo. He has published more than fifty articles on local history, in local, regional, and state publications. He was the 2009 winner of the New York State Archives and New York State Regents Bruce W. Dearstyne Award for excellence in educational use of historical records. He is also a recipient of a state Archives Hackman Research Fellowship. An Association of Public Historians of New York State registered public historian, he is currently the municipal historian for the Town of De Kalb.

Offers a comprehensive look at the first one hundred years of photography through the lives of those who captured this unique rural region of New York State. Svenson’s fascinating biographical dictionary is enriched with over seventy illustrations.

Sally Svenson is a New York-based writer whose articles about nineteenth century American figures from wilderness missionaries to Civil War veterans have appeared in various journals. She is the author of Adirondack Churches: A History of Design and Building and Blacks in the Adirondacks which received the Adirondack Literary Award for Best Book of Nonfiction.

An illustrated history of the evolution of camping from the late nineteenth century through present day through its most significant components: the campsite, the campfire, the picnic table, the map, the tent, the sleeping bag, water delivery, and trash collection. Readable as eight individual narratives, these histories align to illustrate the radical transformation of a mythical ideal over the 150-year period since the emergence of recreational camping in the United States. Hogue’s research relied extensively on the image collections at the Adirondack Experience.

Martin Hogueis an Associate Professor in the Department of Landscape Architecture at Cornell University. Originally trained as an architect, Hogue was first drawn to the field of landscape architecture through the work of artists like Robert Smithson and Michael Heizer, for whom “the work is not put in a place, it ‘is’ that place.” Hogue’s most recent research, which focuses on camping culture in the United States, interrogates the discrepancies that exist between the deeply cherished American ideal of ruggedness and independence and the nearly 1 million designated camp-sites across the country. These efforts have resulted in two books, Thirtyfour Campgrounds (2016) and Making Camp: A Visual History of Camping’s Most Essential Items and Activities (2023).

In August 1846, the land-rich abolitionist Gerrit Smith unveiled his plan to parcel out 120,000 Adirondack acres to three thousand Black New Yorkers. His goal: to help his “grantees” gain the voting rights they had been denied since 1821 unless they could prove ownership of real property. From the distribution of his gift land to poor Black men from all over New York, to the on-the-ground experience of Black Adirondack pioneers in the second half of the 19th century and the afterlife of Smith’s “scheme of justice and benevolence” in Adirondack and Black memory, The Black Woods introduces a provocative and stirring chapter to New York’s rich history of racial justice.

Independent scholar and long-time Adirondack Life contributor Amy Godine has published scores of articles about Adirondack ethnic and social history. She has curated several exhibitions, including “Dreaming of Timbuctoo,” about an abolitionist-founded black settlement near North Elba. Amy has lectured widely in the region on migratory laborers, immigrants, ethnic neighborhoods and enclaves, peddlers, paupers, pilgrims, squatters, strikers, undocumented immigrants, and other Adirondack “non-elites.”

For nearly 50 years, John Van Alstine has created abstract sculptures forged with stone and steel. At their essence, they explore natural forces and human-made elements, conveying the American experience as the confluence/conflict between wilderness and industrialization.

Written as a companion piece to John Van Alstine: Sculpture 1971-2018, released in 2019 by The Artist Book Foundation (TABF), American Vistas: The Life and Art of John Van Alstine, not only highlights and offers a critical assessment of his art, but it delves into biographic elements that drive his creative process and reveals the person as much as the art. Combined, they are meant to be a singular and complete examination on one of the most important sculptors in the last half century.

Tim Kane is an award-winning journalist covering numerous topics from business to the arts for over 30 years. In 2003, he began focusing on visual culture, writing reviews and features on artists primarily in Upstate New York, for various publications, including Art In America, Art News, SCULPTURE Magazine, Adirondack Life, Frieze, Albany Times Union, Houston, Santa Fe and Palm Springs magazines, while also teaching American Studies at Empire State College. Among other projects, he catalogued John Van Alstine’s work in 2014-15 and contributed one of the two main essays in John Van Alstine Sculpture 1971-2018.

John Van Alstine grew up in the southern Adirondack Mountains. He attended St. Lawrence University and then Kent State University where he earned his BFA. After earning his MFA from Cornell University in 1976, he joined the faculty at the University of Wyoming, Laramie, and later at the University of Maryland, College Park, to teach drawing and sculpture. In 1986, he moved to NYC area to pursue studio work full time. He now lives and works in a restored historic structure in the Adirondacks. Van Alstine’s work has been exhibited widely in the United States (including more than 45 solo exhibitions) as well as in Europe and Asia. Two of his sculptures are in the ADKX’s permanent collection.